Thursday, March 31, 2016

Artifact of Empire Presentation: Cassandra and Walker


Artifact of Empire: Evolution Through Literature and Art

Darwin and The theory of Evolution

  • Charles Robert Darwin (1809-1882)
    • English naturalist
  • In his youth, science was considered
    “Dehumanizing in English public
    Schools”
  • HMS Beagle
    • Famous voyage to Galapagos Islands
  • Darwin associates bird beak size and shape with ecological niche, sufficient evidence for natural selection
    Scientific theory of evolution by natural selection
  • Formulated theory privately in 1837-39
  • Did not publish Origin of Species until two decades later

History of the 1880’s

    • Agnosticism takes root in America
      • Religion is still dominant, but...
      • “Scientific progress, Darwinian theories, and new technologies begin to edge out religion as the leading authority on ‘truth’”(pbs.org)
      • Small group of “free-thinkers” abandon belief in god
    • 1882- Darwin passes away in English at age of 73
      • Darwin is agnostic!
      • 1884- Mark Twain publishes The Adventures of Huckleberry Finn
        • 1887- Sherlock Holmes makes first appearance
          • 1888- first victim of “Jack the Ripper” discovered in London

          Artifact of Empire

          Study of Monkeys

          • Wheaton’s Permanent Collection
            • A gift of Alexander B.V. Johnson and Roberta J. M. Olson
          • Richard Doyle (1824-1883)
            • Designed front cover of Punch magazine
          • Illustration prior to 1883
          • Graphite and ink on paper
          • Monkeys becoming more human-like
            • May depict evolution
            • Usage of tools as monkeys progress from left to right
            • More upright stature

          Charles Darwin’s Descent of Man

          • “It is those who know little, and not those who know much, who so positively assert that this or that problem will never be solved by science”(176)“Man is descended from some lowly organized form”“...Man still bears in his bodily frame the indelible stamp of his lowly origin”“Stamp”, significant language“...(Man) has given rise to many races, some of which differ so much from each other, that they have often been ranked by naturalists as distinct species”(222)
            • Polygenism
          Darwinism in Strange Case of Dr. Jekyll and Mr. Hyde (1886)

          • Mr. Hyde as a lower form of man, evolutionary past
            • “ape-like fury”(48), “trampled” his victim
              leaving him “incredibly mangled”(48)
            • “clubbed”(48)
          • Hyde’s deformities
            • Rosanna Spearman
          • Concept of evil rampant in this novel
            • Evil coexisting with morality undermines Christianity, thus supporting Darwinism
            • “My devil”(84)
          • Utterson equates Mr. Hyde to the devil
            • "...if I ever read Satan's signature upon a face, it is on that of your new friend"(43)

          Questions


          1. At the end of Strange Case of Dr. Jekyll and Mr. Hyde, Mr. Hyde becomes stronger as Dr. Jekyll becomes weaker. Why might this be significant while considering Darwin’s theory of evolution?
          2. What kinds of similarities can we observe between Dr. Jekyll and Ezra Jennings? Between Mr. Hyde and Rosanna Spearman?
          3. Can we see parallels between Hyde and Bertha? Between Jekyll and Rochester?
          4. Why is it important to analyze concepts of Darwinism in multiple perspectives (science, literature, art)?
            Works Cited
            "Charles Darwin". Encyclopædia Britannica. Encyclopædia Britannica Online.
              Encyclopædia Britannica Inc., 2016. Web. 31 Mar. 2016
            Cooke, Simon. "Richard Doyle, 1824-83." Richard Doyle, 1824-83: A Brief   Biography. N.p., 5 Nov. 2009. Web. 27   
            Mar. 2016. <http://www.victorianweb.org/art/illustration/doyle/bio.html>.
            Darwin, Charles. The Descent of Man (1871). Ed. Philip Appleman. Third ed. New York. London.: W.W.Norton, 2001.
            Print.
            Doyle, Richard. Study of Monkeys. Prior to 1883. Graphite and Ink on Paper. Wheaton College Permanent
            Collection, Norton, MA.
            Stevenson, Robert Louis. Strange Case of Dr. Jekyll and Mr. Hyde. Ed. Martin A. Danahay. 3rd ed. Peterborough:
            Broadview Editions, 2015. Print.
            "Timeline: Faith in America." PBS. PBS, 11 Oct. 2010. Web. 31 Mar. 2016.
            <http://www.pbs.org/godinamerica/timeline/>.
            "Timeline: Historic Events in the 1880s." About.com Education. N.p., 4 Dec. 2014. Web. 31 Mar. 2016.
            <http://history1800s.about.com/od/timelines/a/1880-1890-timeline.htm>.


          Sunday, March 27, 2016

          A Commentary on The Marriage of Her Most Gracious Majesty Queen Victoria

          Context of 1844
          Queen Victoria marries Prince Albert of Saxon-Coburg-Gotha on February 10th, 1840 (Arnstien, 47). A year after, Britain wins the First Opium War against China in 1841, and Hong Kong is ceded to the British (PBS). Russia becomes a larger imperialist threat and dubs the Ottoman Empire as “the sick man of Europe” (NPG). The Ottoman Empire itself is entering the tanzimat period (1839-1865), a period of political reform (Göl,125). Finally, Boom in the railway industry, and services are made cheaper and more regular. York also becomes a hub of transportation (NPG).
          The Artifact
          The Marriage of Her Most Gracious Majesty Queen Victoria
          Charles Eden Wagstaff & George Hayter
          1844
          25.63” x 37”
          Print: Reproduction
          Ink on Paper

          The Title
          The title indicates the two artists, Charles E. Wagstaff and George Hayter, as well as the publisher, who is mentioned below the title: "London, published Nov. 9, 1844 by Henry Graves & Co. Printsellers to her Majesty & H.R.H. Prince Albert, 6 Pall Mall." Above this, yet below the title, it reads: "Is by special permission humbly dedicated to Her Majesty by her dutiful subjects and servants". The information within and the language of the title, combined with the knowledge that this painting was reproduced, allows for the assumption that this was artwork that could be distributed for the masses, like propaganda that could be hung up in living rooms.

          The Scabbard
          The man just right of the middle raising a sword is interesting. The non-English characters on the scabbard seem non-English; this perhaps references the victory of the First Opium War in 1841. After all, we know this painting was done over time, as Victoria and Albert had to be "sitters" for it (NPG).

          The Girl
          Assuming that this painting is propaganda for the masses, the girl on the bottom left plays an interesting role. She is the only non-adult, making her the lowest-ranked person in the picture. Interestingly enough, she also is the only character staring out of the picture at the viewers. This could invite the common Victorian into a scene of celebration involving their beloved Queen, allowing them to join the aristocracy in their imaginations.

          Comparison to Jane Eyre
          There are actually a few differences found between Jane Eyre and The Marriage of Her Most Gracious Majesty Queen Victoria. Firstly, Mr. Rochester proposes to Jane (Bronte, 340), while Victoria proposed to Albert (Arnstein, 47). Jane Eyre actually provides better insight on marriage proposals, since men more commonly were the ones to ask for the lady's hand in marriage, while Victoria bypassed that gender role. Additionally, the ceremony that Queen Victoria experience appears ostentatious, as displayed by the large crowd of aristocrats, the high ceiling, the gothic architecture. Jane, on the other hand, experiences rather quaint ceremonies (both her unsuccessful and successful weddings) (Bronte, 374-376, 552)

          Questions for Thought
          -This painting was reproduced on November 9th, 1844, though the date of the wedding was February 10th, 1840. Why this gap in time?
          -Does it make sense that this painting is propaganda? Why or why not?
          Bibliography
          Arnstein, Walter L. Queen Victoria. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2003. Print.
          Brontë, Charlotte. Jane Eyre. Peterborough, Ont.: Broadview, 1999. Print.
          Gol, Ayla. "Imagining the Turkish Nation through 'othering' Armenians*."Nations and Nationalism 11.1 (2005): 121-39. Web. 27 Mar. 2016.
          "Opium Throughout History." PBS. PBS, 18 Nov. 2015. Web. 23 Mar. 2016. <http://www.pbs.org/wgbh/pages/frontline/shows/heroin/etc/history.html>
          Stevenson, Robert Louis. Strange Case of Dr Jekyll and Mr Hyde. Ed. Martin A. Danahay. 3rd ed. Toronto: Broadview, 2015. Print. Broadview.
          "The Marriage of Her Most Gracious Majesty Queen Victoria." National Portrait Gallery. National Portrait Gallery, n.d. Web. 23 Mar. 2016. <http://www.npg.org.uk/collections/search/portrait/mw196496/The-Marriage-of-Her-Most-Gracious-Majesty-Queen-Victoria#timeline>.
          Wagstaff, Charles Eden, and George Hayter. The Marriage of Her Most Gracious Majesty Queen Victoria. 1844. Ink on paper. Permanent Collection, Wheaton College.

          Thursday, March 24, 2016

          Imperial Temple of Drugs: Tobacco and Opium in the 1870s

          British History
          1856-60: 2nd Opium War
          1858: India came under direct British government control
          1869: Suez Canal opens.
          1870-1:  Franco-Prussian War
          1873: Population of UK: 26 mil
          18734: Bihar famine in India
          1876: May 1, Victoria named Empress of India.
                   Compulsory school attendance in Great Britain.
          1876, Feb 18, A direct telegraph link was established between Britain & New Zealand.
          1877: Transvaal annexed.
          1879, Mar 12: The British-Zulu War began.

          Artifact
          •    Artist: George Pipeshank (pseudonym of John Wallace)
          •    Originated from: London, England
          •    Created: December 1879
          •    Material and Technique: Color Lithography
          •    One of Five Published Posters
          •    Portrayal of Tobacco: habitual to English daily life, considered healthy, “Imperial Temple of Health”
          •    Each booth stands for a different type of tobacco
          •    Tobacco from every region of the world
          •    Tobacco company used to advertise


          What was Cope’s Tobacco?
          •    Founders: brothers Thomas and George Cope
          •    Year Founded: 1848
          •    Location: Liverpool, England
          •    Marketing Tactics: Posters, booklets, magazine-like gazettes, Cope’s Tobacco Plant

          Tobacco in the 1870s
          •    Founded in the Americas, 1500s
          •    Grown in the Far East, West Indies, and the Americas
          •    All classes
          •    Men, not women
          •    Smoked by pipe commonly, also cigars, and later cigarettes
          •    Rampant Anti-tobacconists, but Britain was mainly still a smoking nation

          In Contrast to Opium
          •    Portrayed as more exotic, demonized almost
          •    A medium of exhilaration and terrifying contact with the Orient
          •    Harmful to British bodies, a poison
          •    Secretive, sleazy
          •    Confessions of an English opium-eater (1821)
          •    Supports Orientalism--them as the other; a way of seeing that imagines, emphasizes, exaggerates and distorts differences of "Oriental" peoples and cultures as compared to that of the West. It often involves seeing their culture as exotic, backward, uncivilized, and at times dangerous.

          Quoted Text from The Mystery of Edwin Drood by Charles Dickens
          "We threaded an extraordinary tangle of dark alleys where two men could just walk abreast, under the flickering lamps jutting from the ebon walls, to mark the corners. We were on our way to the dreadful paved court, flanked with tumble-down one storied houses, in which our old friend the Lascar opium smoker rolled upon his mattress, stirring his stifling narcotic over a lamp, and keeping his eyes — bright as burning coals — upon his latch. . .. As for our friend the Lascar, whose portrait we had taken on a previous visit — we shouldn't see him to-night: he was 'in quod for a month: begging.' So we went to a neighbour and rival of his, and were introduced to the room in which "Edwin Drood" opens. Upon the wreck of a four-post bedstead (the posts of which almost met overhead, and from which depended bundles of shapeless rags), upon a mattress heaped with indescribable clothes, lay, sprawling, a Lascar, dead-drunk with opium; and at the foot of the bed a woman, with a little brass lamp among the rags covering her, stirring the opium over the tiny flame. She only turned her head dreamily as we entered. She shivered under the gust of night air we had brought in, and went on warming the black mixture. It was difficult to see any humanity in that face, as the enormous grey dry lips lapped about the rough wood pipe and drew in the poison. The man looked dead. She said he had been out since four in the morning trying to get a job in the docks — and had failed."

          Tobacco in the Moonstone and Jane Eyre

          •    Betteredge’s pipe (Collins 61, 63, 89, 132, 196, 245, 478, 479)
          •    Franklin Blake’s cigars (Collins 112, 452, 466, 499 note)
          •    Mr. Rochester smokes (Bronte 214); Bertha's father--a planter in Spanish Town, Jamaica, potentially a tobacco planter

          Discussion Questions
          1.    What is so popular about tobacco? What makes opium taboo?
          2.    What happens when Franklin stops using tobacco?
          3.    How is Betteredge’s (and Franklin’s) use of tobacco seen vs the use of opium?
          4.    Do you think there is significance to this contrast? What do you think the meaning could be?
          5.    What implications do the portrayals of tobacco and opium have on empire?
          6.    Is the use of opium more aligned with the views of polygenism or monogenism? How so?

          Work Cited
          "Addiction and Empire." Victorian Web. Google.com, n.d. Web. 24 Mar. 2016. <http://www.victorianweb.org/science/addiction/empire.htm>.
          Bronte, Charlotte. Jane Eyre. Ed. Richard Nemesvari. Ontario: Broadview, 2004.
          Chapter 6. Promoters, Publishers, and Professional Performers." Victorian Web. Google.com, n.d. Web. 24 Mar. 2016. <http://www.victorianweb.org/mt/dbscott/6.html>.
          Collins, Wilkie. The Moonstone. Ed. Steve Farmer. Ontario: Broadview, 1999. Print.
          "Opium Smoking by Gustave Doré." Victorian Web. Google.com, n.d. Web. 24 Mar. 2016. <http://www.victorianweb.org/art/illustration/dore/23.html>.
          "Poster | Pipeshank, George | V&A Search the Collections." Poster | Pipeshank, George | V&A Search the Collections. Albert and Vicoria Museum, n.d. Web. 24 Mar. 2016. <http://collections.vam.ac.uk/item/O729955/poster-pipeshank-george/>.